Creature

Argus Panoptes

Mercury, Argus and Io by Abraham Bloemaert (ca. 1592)

Mercury, Argus and Io by Abraham Bloemaert (ca. 1592).

Centraal MuseumPublic Domain

Overview

“All-seeing” Argus was an enormous monster covered in countless eyes. Unsleeping, ever-vigilant, and loyal, he was a servant of the goddess Hera. In her jealousy, Hera had tasked Argus with guarding Io, a lover of her husband Zeus. But Zeus sent Hermes to liberate Io, and the messenger god slew Argus in the process. 

In some traditions, Hermes used brute force against Argus. But in the more familiar account, he outsmarted Argus, lulling him to sleep with his music and then cutting off his head once all of his eyes were closed. Hera, grieved at the death of her loyal servant, either transformed Argus into a peacock or placed his many eyes on the peacock’s tail feathers.

Etymology

The name “Argus” (Greek Ἄργος, translit. Árgos) seems to be derived from the word ἀργός (argós), which means both “shining, brilliant” and “quick, agile.” This word, in turn, comes from the Indo-European *h₂rǵ-, meaning “white.”[1] Several mythological figures were given the name Argus—many of them, unsurprisingly, associated with the city of Argos in the Peloponnese.

Pronunciation

  • English
    Greek
    ArgusἌργος (Árgos)
  • Phonetic
    IPA
    [AHR-guhs]/ˈɑr gəs/

Titles and Epithets

Argus’ most famous epithet was πανόπτης (panóptēs), “all-seeing.” This epithet was frequently used as a sort of surname, so that we often hear Argus referred to as “Argus Panoptes.”

Attributes

General

Argus, a gigantic man usually connected with the city of Argos, was best known for his numerous eyes. Though ancient sources all agreed that he possessed an unusual number of eyes, there was some debate over the exact number. According to Pherecydes, Argus had three eyes, with his extra eye placed on the back of his head by Hera.[2] According to the Aegimus, an obscure lost poem attributed to Hesiod, he had four eyes, two of them on the back of his head.[3] Many later authors did not specify the exact number of eyes, instead saying that he had many eyes all over his body,[4] while the Roman poet Ovid gave Argus one hundred eyes.[5]

Argus used his abundant eyes to great effect. He did not need to sleep, though some sources noted that if he did become tired, he could close some of his eyes while leaving the rest open and awake.[6]

Argus was also very large and strong. He wore a bull’s hide, taken from a bull that he had killed in Arcadia.[7] One (very late) author included Argus “Panoptes” in a list of the Giants—monstrous children of the primordial earth goddess Gaia who had tried to overthrow the Olympian gods[8]—but this was not the standard tradition.

Iconography

In ancient art, Argus was most often depicted guarding Io or battling Hermes. From the fifth century BCE on, artists represented him with eyes all over his body, giving him a very distinctive and easily identifiable appearance. But some representations were more unusual, with one black-figure amphora from the late sixth century BCE showing Argus as a Janus-like figure, with faces on the front and back of his head.[9]

Illustration of an Attic red-figure stamnos showing Argus killing Argus, represented here with eyes all over his body (fifth century BCE).

Illustration of an Attic red-figure stamnos showing Argus killing Argus, represented here with eyes all over his body (fifth century BCE). From Wilhelm Heinrich Roscher, 1890.

Wilhelm Heinrich RoscherPublic Domain

Family

Family Tree

Mythology

The Deeds of Argus

Though Argus was best known for his role in the myth of Io, he carried out other impressive feats as well. Argus killed the monster Echidna, who had been attacking and robbing travelers, by sneaking up on her as she slept. He also killed a bull that was ravaging Arcadia and a satyr who had robbed the people of Arcadia of their cattle. Finally, back in Argos, he avenged the late Argive king Apis by putting the man’s murderers to death.[16]

The Guardian of Io

Hera enlisted the services of Argus when she wished to punish her enemy Io. Io was an Argive princess who had once been a priestess of Hera. But Zeus, Hera’s husband, fell in love with Io, and the two became lovers. When Hera discovered the affair, she transformed Io into a cow, but this did not have the effect Hera had hoped for: instead of ending the affair, Zeus simply transformed himself into a bull and continued sleeping with Io. In a rage, Hera whisked Io away and appointed Argus (who in some traditions was Io’s relative)[17] to stand guard over her.

Argus was a natural choice for this task: he had many eyes (as many as a hundred in some accounts) and did not need to sleep. In one tradition, however, it was Hera who equipped Argus to be an effective guardian by giving him a third eye and removing his need to sleep.[18] In an effort to put an end to Zeus’ affair, the loyal Argus tied Io to an olive tree in the sacred grove where Hera had hidden her, somewhere between Argos and Mycenae.[19]

Argus Io wall painting House of Meleager First Century CE

Wall painting showing Argus guarding Io, represented here with cow horns rather than as a cow. From the House of Meleager (first century CE).

ArchaiOptixCC BY-SA 4.0

Zeus soon learned what had happened to his bovine lover and sent Hermes to set Io free. In the most familiar tradition, Hermes used trickery to kill the unsleeping Argus; he lulled him to sleep with the sweet music of his flute, and then—when every last one of Argus’ eyes was shut in peaceful slumber—he cut off his head:

While Hermes pip’d, and sung, and told his tale,

The keeper’s winking eyes began to fail,

And drowsie slumber on the lids to creep;

’Till all the watchman was at length asleep.

Then soon the God his voice, and song supprest;

And with his pow’rful rod confirm’d his rest:

Without delay his crooked faulchion drew,

And at one fatal stroke the keeper slew.

Down from the rock fell the dissever’d head,

Opening its eyes in death; and falling, bled;

And mark’d the passage with a crimson trail:

Thus Argus lies in pieces, cold, and pale;

And all his hundred eyes, with all their light,

Are clos’d at once, in one perpetual night.[20]

In a different version, however, a certain Hierax (“hawk”) blabbed and revealed Hermes’ plot so that stealth was no longer an option. As a result, Hermes killed Argus by simply throwing a large stone at him.[21]

Hermes’ slaying of Argus gave rise to one of the god’s most important epithets: ἀργειφόντης (argeiphóntēs), or “slayer of Argus.”[22] This myth was also used to explain Hermes’ connection with stone heaps: when Hermes was put on trial for the murder of Argus, the gods used pebbles to cast their votes for his acquittal.[23]

Hera, meanwhile, grieved for her loyal servant Argus. She either transformed the dead Argus into a peacock or placed his many eyes on the peacock’s tail feathers.[24] She then continued to hound Io, sending a gadfly to torment her; in at least one account, the maddened Io believed this gadfly to be the phantom of Argus.[25]

Pop Culture

Argus is still sometimes remembered in modern pop culture. In Rick Riordan’s Percy Jackson and the Olympians franchise, he is reimagined as a laconic security guard in the service of the Olympian gods (still covered in eyes, of course). Several animals with eye-spot patterns have also been named after Argus, including the Argus gecko, the Argus monitor, and the species of pheasant known as the great argus.

References

Notes

  1. Cf. Robert S. P. Beekes, Etymological Dictionary of Greek (Leiden: Brill, 2009), 1:126.

  2. Pherecydes, Fragmente der griechischen Historiker (FGrH) 3 frag. 66.

  3. Hesiod, Aegimus frag. 294 Merkelbach-West.

  4. Euripides, Phoenician Women 1113ff; Apollodorus, Library 2.1.2; Servius on Virgil’s Aeneid 7.790; cf. Aeschylus, Suppliants 304, Prometheus Bound 579, 678–79.

  5. Ovid, Metamorphoses 1.624.

  6. Ovid, Metamorphoses 1.625–26.

  7. Apollodorus, Library 2.1.2; cf. Sophocles, Inachus frag. 281 Radt; scholia on Euripides’ Phoenician Women 1116.

  8. John Tzetzes, Theogony 93.

  9. Located in the British Museum in London (no. B164). On Argus in ancient art, see Nicolas Yalouris, “Io I,” in Lexicon Iconographicum Mythologiae Classicae (Zurich: Artemis, 1992), 5:661–76.

  10. Acusilaus, FGrH 2 frag. 27; Aeschylus, Suppliants 305, Prometheus Bound 567.

  11. Nostoi frag. 8 West; Pherecydes, FGrH 3 frag. 66; scholia on Euripides’ Phoenician Women 1116; cf. Hesiod, Megalai Ehoiai frag. 246 (from Pausanias, Description of Greece 2.16.4).

  12. Hesiod, Aegimus frag. 294 Merkelbach-West (see Apollodorus, Library 2.1.3, who cites Cercops as his source, probably another name for the author of the Aegimus).

  13. Asclepiades, FGrH 12 frag. 16.

  14. Apollodorus, Library 2.1.2.

  15. Hyginus, Fabulae 145. It is unclear, however, whether the Argus named here as the son of Piras/Piranthus and Callirhoe is the many-eyed Argus “Panoptes” or another, more obscure Argus.

  16. Apollodorus, Library 2.1.2.

  17. See, for example, Charax, FGrH 103 frag. 13, where Argus is Io’s maternal uncle.

  18. Pherecydes, FGrH 3 frag. 66.

  19. Acusilaus, FGrH 2 frag. 26–27; Sophocles, Electra 4–5, frag. 270 Radt; Pliny the Elder, Natural History 16.70.239. Others placed the myth—and Hermes’ slaying of Argus—in alternate locations, including Lerna (Aeschylus, Prometheus Bound 652–53, 676–77) or the town of Argura on the island of Euboea (Stephanus of Byzantium, Ethnica, s.v. “Ἄργουρα (Árgoura)”).

  20. Ovid, Metamorphoses 1.712–20, trans. Samuel Garth et al.; cf. Aeschylus, Prometheus Bound 574–75; Valerius Flaccus, Argonautica 4.381ff; Quintus Smyrna, Posthomerica 10.190ff.

  21. Apollodorus, Library 2.1.3; cf. Bacchylides, Ode 19.25ff; scholia D on Homer’s Iliad 2.103; scholia on Aeschylus’ Prometheus Bound 561.

  22. Seen already in Hesiod, Catalogue of Women frag. 126 Merkelbach-West. Scholars doubt, however, that this was the original meaning of the epithet; most argue that the true meaning was lost and that the myth of Hermes and Argus was invented later to explain it.

  23. Etymologicum Magnum, s.v. “Ἑρμαῖον (Hermaîon).”

  24. Moschus, Ode 2.56ff; Ovid, Metamorphoses 1.722–23; Servius on Virgil’s Aeneid 7.790; scholia on Aristophanes’ Birds 102.

  25. Aeschylus, Prometheus Bound 566ff.

Primary Sources

Greek

The monster Argus (or “Panoptes”) played an important role in the myth of Io from an early period—though many of the earliest texts on the subject have not survived. We already find references to him in the Aegimus, a lost archaic poem attributed (probably incorrectly) to Hesiod (eighth/seventh century BCE). Argus also appears in the (now fragmentary) writings of the mythographer Pherecydes (early/mid-fifth century BCE).

There are a number of brief but important references to Argus in surviving Greek literature, too, such as the tragedies of Aeschylus (ca. 525/524–ca. 456/455 BCE) and Euripides (ca. 480–406 BCE). A thorough summary of the myths of Argus is given by Apollodorus, or “Pseudo-Apollodorus” (first century BCE/first few centuries CE), the author of the mythological handbook known as the Library; Apollodorus mentions a number of Argus’ heroic deeds, beyond just his role as Io’s guardian. 

Roman

Probably the most complete account of the myth of Argus and Io comes from the first book of Ovid’s Metamorphoses; in his characteristically playful and irreverent style, Ovid recounts how the unsleeping Argus was tasked with guarding Io after her transformation into a cow, and how this resulted in his murder at the hands of the god Mercury (the Roman version of Hermes).

There are also references to Argus in the Fabulae, a Roman mythological handbook attributed to Hyginus, or “Pseudo-Hyginus” (first century CE or later). However, these references are considered less reliable.

Other

Other information on Argus (including information pertaining to literary works that are now lost) can be found in commentaries and scholia from antiquity and the Middle Ages, including those of Servius (fourth century CE). For further references, see the notes above.

Secondary Sources

  • Dowden, Kenneth. “Argus (2).” In The Oxford Classical Dictionary, 4th ed., edited by Simon Hornblower, Antony Spawforth, and Esther Eidinow, 150. Oxford: Oxford University Press, 2012.

  • Engelmann, R. “Argos (2).” In Ausführliches Lexikon der griechischen und römischen Mythologie, vol. 1, edited by W. H. Roscher, 537–39. Leipzig: Teubner, 1884–1890.

  • Gantz, Timothy. Early Greek Myth: A Guide to Literary and Artistic Sources. Baltimore, MD: Johns Hopkins University Press, 1993.

  • Graf, Fritz. “Argos (I.5).” In Brill’s New Pauly, edited by Hubert Cancik, Helmuth Schneider, Christine F. Salazar, Manfred Landfester, and Francis G. Gentry. Published online 2006. http://dx.doi.org/10.1163/1574-9347_bnp_e134630.

  • Hard, Robin. The Routledge Handbook of Greek Mythology. 8th ed. New York: Routledge, 2020.

  • Smith, William. “Argus (2).” In A Dictionary of Greek and Roman Biography and Mythology. London: Spottiswoode and Company, 1873. Perseus Digital Library. Accessed May 12, 2021. http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.04.0104%3Aentry%3Dargus-bio-2.

  • Theoi Project. “Argos Panoptes.” Published online 2000–2017. https://www.theoi.com/Gigante/GiganteArgosPanoptes.html.

  • Wernicke, Konrad. “Argos (19).” In Paulys Realencyclopädie der classischen Altertumswissenschaft, vol. 2.1, edited by Georg Wissowa and August Friedrich Pauly, 791–95. Stuttgart: Metzler, 1895.

  • Yalouris, Nicolas. “Io I.” In Lexicon Iconographicum Mythologiae Classicae, vol. 5, 661–76. Zurich: Artemis, 1992.

Citation

Kapach, Avi. “Argus Panoptes.” Mythopedia, March 12, 2023. https://mythopedia.com/topics/argus-panoptes.

Kapach, Avi. “Argus Panoptes.” Mythopedia, 12 Mar. 2023. https://mythopedia.com/topics/argus-panoptes. Accessed on 24 Sep. 2024.

Kapach, A. (2023, March 12). Argus Panoptes. Mythopedia. https://mythopedia.com/topics/argus-panoptes

Authors

  • Avi Kapach

    Avi Kapach is a writer, scholar, and educator who received his PhD in Classics from Brown University

    Avi Kapach Profile Photo