Was Talos a Giant?
Though Talos was giant, he was not one of the Giants, monstrous offspring of the primordial earth goddess Gaia. Rather, Talos was a bronze man or automaton who had been given to the Cretan king Minos to guard his island.
How did Talos die?
Talos was killed when he tried to prevent the Argonauts from landing on Crete as they made their way home after stealing the Golden Fleece. Medea, the witch who accompanied the Argonauts on their return journey, killed Talos by using her sorcery to drive him mad. But there were other versions of Talos’ death, too.
Talos was the giant bronze guardian of Crete. He was a kind of automaton who, in the standard tradition, had been fashioned by the smith god Hephaestus. Talos patrolled Crete every day, driving strangers away by throwing huge stones at them or burning them alive. But when the Argonauts encountered Talos during their journey home, the witch Medea destroyed the creature by enchanting him and causing him to graze the vein that held all his vital fluid. He then “bled” to death.
The etymology of the name “Talos” (Greek Τάλως, translit. Tálōs; also spelled Τάλος/Tálos or Τάλων/Tálōn) is unclear.
One ancient source claimed it was the Cretan word for “sun” (presumably connected to the word ἅλως/hálōs, more familiar in the form ἥλιος/hḗlios). Another source interpreted Talos as a bull, perhaps suggesting an etymological connection with the Greek word ταῦρος (taûros), meaning “bull.” The name may also be related to the verb ταλάσσαι (talássai) or τλῆναι (tlênai), meaning “to endure, suffer.”
A more current etymology has identified a link between the name Talos and the Greek word χαλκός (chalkós), meaning “bronze”—a logical conclusion given that Talos was made of bronze. This etymology also suggests that the Greek Talos may be identical to the Etruscan Chaluchasu, a brazen figure who features in Etruscan art.
Talos Τάλως (translit. Tálōs), Τάλος (translit. Tálos), Τάλων (translit. Tálōn)
[TEY-los] /ˈteɪ lɒs/
There were conflicting accounts of Talos’ nature in antiquity. In the best-known tradition, he was a bronze man—a kind of automaton or robot—fashioned by the smith god Hephaestus. But in one account, he was instead the last survivor of the Bronze Age, one of the mortals who lived before human beings were created. In another, he was a bull rather than a man. One source referred to Talos with the strange term χάλκειος τριγίγας (chálkeios trigígas), meaning “bronze triple-giant.”
Talos was the guardian of Crete, a large and important island in the Aegean Sea. His vital fluid—usually described as “ichor” rather than blood—flowed through a single vein running from his neck to his ankle, where it was fastened by either a nail or a thin layer of skin. Aside from this one (admittedly significant) weakness, Talos was extremely strong and fearsome.
It was said that Talos circled Crete three times a day on his untiring feet, ever on the lookout for dangerous strangers. When he did encounter strangers or attackers, he would drive them away by throwing giant boulders at them—his preferred form of combat. In some accounts, though, Talos could also make himself very hot (presumably by heating himself in a fire) and then burn his enemies to death by embracing them.
Talos was particularly popular on the coinage of Phaestos, an important city in central Crete. Rather uniquely, these Talos coins show the bronze guardian with wings. On some of them, he also has a dog as a companion.
In ancient art, the most popular scene from Talos’ myth was his confrontation with the Argonauts (and subsequent death). Talos himself was usually depicted as a large and powerful man of bronze; often, great care was taken to highlight his single throbbing vein and the nail rammed into his ankle, holding in his vital fluid.
In the standard tradition, Talos was fashioned in Hephaestus’ workshop and thus did not have a family in the usual sense. But some sources did imagine him as a mortal being with a family. In one important account, Talos was the last surviving man from the Age of Bronze and the son of one of the Meliae, a race of mysterious nymphs associated with ash trees.
According to another tradition, attributed to the early epic poet Cinaethon, Talos was the son of Cres, the namesake or “eponym” of Crete. Talos in turn fathered Phaestus (or Hephaestus; the Greek text may be corrupt), who became the namesake of the city of Phaestos and the father of the wise Rhadamanthys.
In yet another tradition, Talos was the son of a Cretan named Oenopion and the brother of Euanthes, Melas, Salagus, and Athamas.
Finally, there was a tradition in which Talos fathered a child named Leucus (or Amycus). This Leucus was fostered by Idomeneus, whose paternal kindness Leucus repaid by seducing the man’s wife while he was away fighting in the Trojan War.
- Euanthes (son of Oenopion)
- Melas (son of Oenopion)
- Salagus (son of Oenopion)
The origins of the Talos myth are mysterious. The ancient Greek philosopher Plato rationalized the myth, saying that the bronze robot who ran around Crete three times a day was inspired by Minos’ practice of parading his code of law (which he had inscribed on bronze tablets) around his island kingdom three times a year. A more contemporary explanation for the myth is that it reflected the lost-wax method of casting bronze. Talos may have also originated from an old Cretan god who was eventually equated with Zeus under the title “Zeus Tallaios.”
Talos’ origins within myth are equally obscure. In the standard account, he was a bronze man fashioned by Hephaestus. He was then either given by Zeus to the god’s mortal lover Europa as a bodyguard, or was given by Hephaestus to Minos, Europa’s son. But other traditions made Talos one of the men of the Age of Bronze, while others seem to have envisioned him more or less as an ordinary man with human lineage (see above).
In one strange account, Talos originally lived on the island of Sardinia, to the west of Italy. There he would kill people, causing them to open their mouths in a kind of grin as they died (the origin, apparently, of the term “sardonic grin”). Later, when Talos came to Crete and the Sardinians attempted to follow him, Talos killed the Sardinians by leaping into a fire, heating himself to a scorching temperature, and then clutching them to his chest.
Talos and the Argonauts
Talos is known almost exclusively in connection with the myth of the Argonauts. The Argonauts had sailed with the hero Jason to steal the Golden Fleece from the remote kingdom of Iolcus. On their return journey, they passed by the island of Crete and encountered the gigantic and unwelcoming Talos:
And Talos, the man of bronze, as he broke off rocks from the hard cliff, stayed them from fastening hawsers to the shore, when they came to the roadstead of Dicte’s haven… So the heroes, though outworn with toil, quickly backed their ship from the land in sore dismay.
Talos pummeled the tired Argonauts with stones, preventing them from landing on Crete for supplies and refreshments. Though they were ultimately able to defeat the bronze guardian, there are several different versions of how they did so. In most (though not all) accounts, it was Medea, the Colchian witch who accompanied the Argonauts back to Greece after helping them steal the Golden Fleece, who brought about Talos’ doom:
In one version of the myth, Medea uttered spells from the ship that caused Talos to stumble and graze his ankle on a sharp rock. The rock split Talos’ vein so that his divine blood (“ichor”) spilled out, killing him.
In another version, Medea gave Talos drugs that caused him to go mad.
In another version, which must have required the Argonauts to get quite close to Talos, Medea promised Talos that she would make him immortal. But once she was next to him, she pulled out the nail that sealed his vein at his ankle and he “bled” to death.
In one version, known from representations in ancient art, Medea seems to have dazed Talos with her spells so as to give the heroes from the Argo a chance to overpower him.
5. A final version cut Medea out entirely and instead had the Argonaut Poeas shoot Talos in the ankle with an arrow.
Today, Talos is still best known in connection with the tale of the Argonauts. He makes an appearance in the 1963 film Jason and the Argonauts, in which Jason (rather than Medea) destroys him by unscrewing the cap holding in his steaming “blood.” Talos, in various guises, has also appeared in other contemporary adaptations of Greek mythology, including Rick Riordan’s The Titan’s Curse, the third novel of the Percy Jackson and the Olympians series.