In most versions of the myth, Bellerophon was a son of Poseidon.
No. As a son of Poseidon and a mortal woman, Bellerophon was a demigod, but he was still mortal.
Bellerophon was able to bridle Pegasus with the help of the goddess Athena.
As a son of Poseidon, Bellerophon was destined for greatness from early on. Following a series of accidents and misadventures in his youth, Bellerophon found himself in the faraway kingdom of Lycia. There, he battled the Chimera, the Amazons, and other fearsome enemies.
Bellerophon’s successes were due in no small part to Pegasus, the immortal winged horse that Bellerophon had tamed. Eventually, however, Bellerophon fell out of the gods’ favor. Because of a terrible act of hubris, Bellerophon was punished by the gods and became an outcast.
The name Bellerophon may have been derived from the words belos (“projectile”) and phontēs (“killer”). Bellerophon would thus mean “he who kills with a projectile.” According to an alternative ancient etymology, Bellerophon received his name because he had killed a tyrant of Corinth named Bellerus; in this version, his name would mean “killer of Bellerus.”1
Modern scholars have suggested various Indo-European etymologies. Rhys Carpenter, for example, has argued that the name Bellerophon means “bane-slayer,” deriving from the rare word elleron (“evil”).2 Joshua Katz subsequently suggested that the word “eleron” is related to an Indo-European word for a water snake or dragon. As a result, the name Bellerophon could also mean “dragon slayer.”3
In ancient Greek, the name of the hero Bellerophon was usually spelled Βελλεροφόντης (Bellerophontes), though the alternative Βελλεροφῶν (Bellerophon) was also attested.4
Βελλεροφόντης or Βελλεροφῶν
Bellerophon’s most distinctive attribute was his winged horse Pegasus; in antiquity, he was usually depicted riding him. Ancient art sometimes featured his battle with the Chimera as well.
Bellerophon was born into the court of Glaucus, the king of Corinth, and his wife, whose name was either Eurynome5 or Eurymede.6 According to most accounts, however, Bellerophon’s true father was the sea god Poseidon. Bellerophon also had a younger brother, though ancient sources debate whether his name was Alcimenes, Deliades, or Peiren.7
Bellerophon’s wife was named either Alcimedousa, Anticleia, Pasandra, or Cassandra.8 According to Homer, Bellerophon and his wife had three children together: Isander, Hippolochus, and Laodamia.9 In some traditions, Bellerophon also fathered Hydissus by Asteria, the daughter of Hydeus.10
When he was very young, Bellerophon accidentally killed someone—in most versions, it was his own brother (whose name varies by the source). Bellerophon went to King Proetus of Argos to be purified of the crime.
While Bellerophon was in Argos, King Proetus’ wife (whose name was either Antea11 or Stheneboea12) fell in love with him. Bellerophon rejected these advances, but Proetus’ wife took her revenge by telling her husband that Bellerophon had tried to rape her. She then demanded that Proetus put Bellerophon to death.
Proetus, not wishing to kill Bellerophon himself, sent the young hero to his father-in-law Iobates, the king of Lycia. Bellerophon was given a letter for Iobates: it instructed Iobates to put the carrier of the letter to death. This was how Bellerophon came to Lycia, a kingdom in modern Turkey.
#The Chimera and Other Adventures
When Bellerophon reached Lycia and delivered Proetus’ letter, Iobates was reluctant to kill Bellerophon himself; like Proetus, he did not wish to incur the gods’ anger by violating the laws of hospitality (xenia). Iobates decided to send Bellerophon to kill the Chimera, which he considered an impossible task.
The Chimera was a terrible monster with a hybrid body: part lion, part goat, and part snake. It also breathed fire.
Bellerophon learned that he could not defeat the Chimera without the help of Pegasus, an immortal winged horse who had sprung from the blood of the beheaded Medusa. According to Pindar’s Olympian Ode 13, the most complete ancient account of Bellerophon’s capture of Pegasus, Bellerophon was helped in his task by Athena and the prophet Polyidus.13 In other traditions, however, Bellerophon’s father Poseidon was the one who gave him Pegasus.14
With Pegasus, Bellerophon was able to attack the Chimera in its mountain lair. After a fierce struggle, Bellerophon prevailed and killed the Chimera.
Iobates then sent Bellerophon against other dangerous opponents, including the Solymi, the Amazons, and a boar. When Bellerophon completed these tasks, too, Iobates sent the best Lycian soldiers to ambush him. But the attack failed, and Bellerophon killed Iobates’ soldiers. Iobates, impressed by the young hero, finally gave up trying to kill him. Instead, he married Bellerophon to one of his daughters and made him his heir.
Though accounts of Bellerophon’s downfall and death differ somewhat, they all agree that towards the end of his life, Bellerophon lost the gods’ favor.
According to the best-known version, Bellerophon became so arrogant that he felt he should live among the gods in heaven. This did not end well. As the poet Pindar wrote,
… winged Pegasus threw his master Bellerophon, who wanted to go to the dwelling-places of heaven and the company of Zeus. A thing that is sweet beyond measure is awaited by a most bitter end.15
In most stories, Bellerophon survived his fall but became lame and was forced to wander the earth for the rest of his life in disgrace. Homer’s Iliad, the earliest source to recount the myth, does not say how Bellerophon offended the gods—only that the former hero spent the remainder of his days wandering in the Aleian Field.16 Finally, according to Hyginus, Bellerophon was killed when he fell from Pegasus.17
Bellerophon received cult worship in Corinth, which was said to have been his hometown. It contained the Craneion, a sanctuary dedicated to Bellerophon.18 Bellerophon was also an object of hero cult in Lycia.19
Bellerophon was worshipped as the founding hero of the Carian city of Baryglia. In antiquity, he was claimed as the ancestor of Leucippus, the founder of Magnesia on the Maeander. He was also possibly connected to the family of Cossutius Sabula in the late Roman Republic.
There are relatively few modern pop culture representations of Bellerophon. He is the main character of Cathleen Townsend’s 2019 novel Bellerophon: Son of Poseidon. He also features in Rick Riordan’s Percy Jackson’s Heroes. Finally, Bellerophon is a minor character in the 1990s TV show Xena: Warrior Princess, where he is portrayed by the New Zealand actor Craig Parker.
Homer: The earliest account of the myth of Bellerophon is in Book 6 of the Iliad (144–205), an epic usually dated to the eighth century BCE. Glaucus, one of Bellerophon’s descendants, relates the origins and heroic deeds of Bellerophon.
Hesiod: Bellerophon’s exploits and genealogy are mentioned briefly in the Theogony and the fragments of the Catalogue of Women (seventh or sixth century BCE).
Pindar: The myths of Bellerophon feature in two of Pindar’s poems: Olympian Ode 13 (ca. 464 BCE) and Isthmian Ode 7 (ca. 454 BCE).
Euripides: We know that in the fifth century BCE, Euripides wrote two tragedies about the myth of Bellerophon (Stheneboea and Bellerophon), but these works survive only in fragments.
Strabo, Geography: A late first-century BCE geographical treatise and an important source for many local Greek myths, institutions, and religious practices from antiquity.
Pausanias, Description of Greece: A second-century CE travelogue; like Strabo’s Geography, an important source for local myths and customs.
Hyginus: The Astronomica, written in the first or second century CE, briefly describes the death of Bellerophon.
Mythological Handbooks (Greek and Roman)
Apollodorus, Library: A mythological handbook from the first century BCE or the first few centuries CE. The myths of Bellerophon are treated in Book 2.
Hyginus, Fabulae: A Latin mythological handbook (first or second century CE) that includes sections on the myths of Bellerophon.
Gantz, Timothy. Early Greek Myth: A Guide to Literary and Artistic Sources. 2 vols. Baltimore, MD: Johns Hopkins University Press, 1996.
Graves, Robert. The Greek Myths. London: Penguin, 1955.
Kerényi, Károly. The Heroes of the Greeks. London: Thames and Hudson, 1974.
Rose, H. J. A Handbook of Greek Mythology. London: Methuen, 1929.
Scheer, Tanja. “Bellerophontes, Bellerophon.” In Brill’s New Pauly, edited by Hubert Cancik, Helmuth Schneider, Christine F. Salazar, Manfred Landfester, and Francis G. Gentry. Published online 2006. http://dx.doi.org/10.1163/1574-9347_bnp_e215030.
Smith, William. “Bellerophon.” In A Dictionary of Greek and Roman Biography and Mythology. London: Spottiswoode and Company, 1873. Perseus Digital Library. Accessed March 12, 2021. http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.04.0104%3Aalphabetic+letter%3DB%3Aentry+group%3D5%3Aentry%3Dbellerophon-bio-1.
Theoi Project. “Bellerophontes.” Published online 2000–2017. https://www.theoi.com/Heros/Bellerophontes.html.
Ziskowski, Angela. “The Bellerophon Myth in Early Corinthian History and Art.” Hesperia 83 (2014): 81–102.