Greek Hero


Atalanta, Greek Hero (3x2)


Abandoned by her father when she was still an infant, Atalanta grew up in the wild. A favorite of the goddess Artemis, Atalanta ultimately surpassed both men and women with her physical prowess. In one of her most fateful adventures, she participated in the Calydonian Boar Hunt and inadvertently brought about the death of the hero Meleager

Later, Atalanta was reunited with her father. When forced to marry, she would only agree to wed a man if he could beat her in a footrace. In the end, one of Atalanta’s suitors managed to win the heroine’s hand with the help of Aphrodite, the goddess of love. But Atalanta was not destined to live out the rest of her days in wedded bliss: after gravely offending the gods, she and her husband were transformed into lions.


The name “Atalanta” seems to be related to the Greek verb *tlaō, meaning “to toil” or “endure” (itself derived from the Indo-European *telh₂-); the a- added as a prefix acts as an intensifier. Atalanta’s name thus means “she who toils greatly.”[1]


  • English
  • Phonetic


Atalanta was usually depicted as a beautiful young maiden. She often carried her bow and arrows, with which she was famously skilled.


Atalanta was the daughter of a king, though the name of the king and the location of his kingdom vary among the ancient sources. Atalanta’s father was sometimes said to have been the ruler of Arcadia, and sometimes a ruler of Boeotia.[2]

Family Tree

  • Parents
    • Iasus
    • Maenalus
    • Schoeneus
    • Clymene
  • Consorts
    • Hippomenes
    • Melanion
  • Children
    • Parthenopaeus


Birth and Childhood

Atalanta’s father, a minor king, wanted a son; when he had a daughter instead, he left the infant to die by exposing her in the wilderness. Atalanta was subsequently suckled by a she-bear. She grew up in the woods and mountains and became a skilled hunter. As a young woman, she made a vow to the goddess Artemis that she would remain a virgin. When two centaurs, Hylaeus and Rhoecus, tried to force themselves upon her, she killed them using her bow.


As an adult, Atalanta participated in several famous exploits alongside the male heroes of her time. According to some sources, she was among the Argonauts who sailed with Jason to steal the Golden Fleece.[5] In one myth, sometimes represented in ancient art, Atalanta wrestled with the hero Peleus during the funeral games of King Pelias of Iolcus. Peleus, the father of the mighty Achilles, was an Argonaut and a great warrior in his own right; but Atalanta defeated him in their wrestling match. 

Atalanta and Peleus, circa 530 bce

Vase painting of Atalanta wrestling Peleus, Chalcidian hydria (540–530 BCE).

Bibi Saint-PolCC BY-SA 3.0

Atalanta also took part in the Calydonian Boar Hunt, though with tragic consequences. The Calydonian Boar was a monstrous creature sent to wreak havoc on Calydon after the city’s king, Oeneus, offended the goddess Artemis. All the greatest heroes of Greece, including Atalanta, came to Calydon to help hunt down the terrible boar. They were led by Meleager, the brave son of King Oeneus. 

During the hunt, several men were killed by the boar. Atalanta eventually managed to hit the animal and was the first to draw blood from it; soon after, Meleager killed it. But Meleager had fallen in love with the beautiful Atalanta and offered her the boar’s skin, claiming she had earned it because she had been the first to wound the beast. This angered Meleager’s uncles, and they tried to take the hide from Atalanta. In revenge, Meleager killed them. 

Atalanta and Meleager by Peter Paul Rubens, circa 1616

Atalanta and Meleager by Peter Paul Rubens (ca. 1616).

Metropolitan Museum of ArtPublic Domain

In the ensuing struggle, Meleager was ultimately killed too. The best-known version of the myth states that Meleager’s mother, Althaea, heartbroken at hearing that Meleager had killed her brothers, threw a magical log into the fire that consumed Meleager’s life as it burned.

The Footrace

After many years, Atalanta was reunited with her father. Still hoping for a male heir, he insisted that his daughter be married. Atalanta said she would only marry the man who could beat her in a footrace. Some sources claimed that any suitor who lost would be put to death.After many suitors had tried and failed to win Atalanta’s hand, one young man (called either Hippomenes or Melanion, depending on the source) convinced Aphrodite to come to his aid. Aphrodite gave the young man three golden apples and told him to drop them at intervals during the footrace. 

Hippomenes and Atalanta by Guido Reni-1618-1619

Hippomenes and Atalanta by Guido Reni (1618–1619).

Prado MuseumPublic Domain

The young man did as he was told: every time Atalanta started gaining on him, he dropped an apple, and she would stop to pick it up. This slowed her enough for the young man to win the race, and the virgin Atalanta finally married. She had a son, Parthenopaeus, who would later fight in the war of the Seven against Thebes.


Atalanta and her husband eventually offended one of the gods by making love in their temple; as punishment, they were transformed into lions. Some ancient sources suggested that it was Aphrodite who caused them to commit this sacrilege to punish Atalanta’s husband for failing to properly honor her after she helped him win Atalanta.

Pop Culture

Atalanta has featured in some modern adaptations of the Greek myths, though she is rarely a central character. Atalanta has been depicted in the television show Hercules: The Legendary Journeys (1995–1999) and in the Hallmark miniseries Jason and the Argonauts (2000). She fights alongside Hercules in the 2018 film Hercules, based on the Radical Comics graphic novel Hercules: The Thracian Wars

Atalanta has appeared in several novels, too, such as Atalanta and the Arcadian Beast (2003) by Robert J. Harris and Jane Yolen and Outrun the Wind (2018) by Elizabeth Tammi. 

Atalanta is featured in several video games, including the Golden Sun series, Herc’s Adventures (an expansion of Zeus: Master of Olympus), Rise of the Argonauts, and Age of Mythology.



  1. Cf. Robert S. P. Beekes, Etymological Dictionary of Greek (Leiden: Brill, 2009), 1445.

  2. According to some sources, Atalanta’s father was an Arcadian king named Iasus (Apollodorus, Library 3.9.2), Iasius (Callimachus, Hymn 3.215; First Vatican Mythographer, 54; Second Vatican Mythographer, 124), or Iasion (Aelian, Varia Historia 13.1). According to other sources, her father was the Boeotian Schoeneus (Diodorus of Sicily, Library of History 4.34.4 and 4.65.4; Pausanias, Description of Greece 8.35.10; Ovid, Metamorphoses 10.560–680; Hyginus, Fabulae 185). According to Apollodorus, Hesiod also called Atalanta’s father Schoeneus, while Euripides called him Maenalus (Library 3.9.2).

  3. Most ancient authors called Atalanta’s husband Hippomenes: Theocritus, Idyll 3.40; Ovid, Metamorphoses 10.575ff; Hyginus, Fabulae 185; First Vatican Mythographer, 54; Second Vatican Mythographer, 124. According to Apollodorus, Euripides also used the name Hippomenes in a lost tragedy. Some sources, however, give the name of Atalanta’s husband as Melanion or Milanion: Propertius, Elegies 1.1.9; Ovid, Art of Love 2.188; Apollodorus, Library 3.9.2; Pausanias, Description of Greece 3.12.9.

  4. Apollodorus, Library 3.9.2; Servius on Virgil’s Aeneid 6.480.

  5. Apollodorus, Library 1.9.16. According to Apollonius of Rhodes, however, Jason did not let Atalanta join because he feared the presence of a beautiful young woman would cause difficulties in an otherwise all-male expedition (Argonautica 1.769–73).

Primary Sources


  • Hesiod: Atalanta’s myth and her genealogies were treated in the fragmentary Catalogue of Women (seventh or sixth century BCE).

  • Aeschylus: Atalanta’s son Parthenopaeus features in the tragedy Seven against Thebes (ca. 467 BCE). Aeschylus also wrote a play called Atalanta, which no longer survives.

  • Euripides: Atalanta’s son Parthenopaeus features in the tragedy Phoenician Women (ca. 408 BCE). Euripides also wrote a play called Meleager that seems to have dealt with the myth of Atalanta and Meleager, though it no longer survives.

  • Apollonius of Rhodes: The third-century BCE epic Argonautica briefly mentions Atalanta, though only to emphasize that she was not one of the Argonauts.

  • Callimachus: Atalanta and her relationship with Artemis is mentioned in Callimachus’ Hymn to Artemis (third century BCE).

  • Strabo, Geography: A late first-century BCE geographical treatise and an important source for many local Greek myths, institutions, and religious practices from antiquity.

  • Pausanias, Description of Greece: A second-century CE travelogue; like Strabo’s Geography, an important source for local myths and customs.

  • Aelian: The myth of Atalanta is told in Book 13 of the Varia Historia, a moralizing treatise of the late second or early third century CE.


  • Ovid: The myth of Atalanta features in several of Ovid’s poems (late first century BCE and early first century CE), including the Amores, the Art of Love, and the Metamorphoses.

  • Statius: The myth of Atalanta and her son Parthenopaeus’ involvement in the war of the Seven against Thebes is mentioned in Statius’ epic Thebaid (late first century CE).

Mythological Handbooks (Greek and Roman):

  • Diodorus of Sicily, Library of History: A work of universal history, covering events from the creation of the cosmos to Diodorus’ own time (mid-first century BCE). The myths of Atalanta are treated in Book 4.

  • Apollodorus, Library: A mythological handbook from the first century BCE or the first few centuries CE. The myths of Atalanta are in Book 3.

  • Hyginus, Fabulae: A Latin mythological handbook (first or second century CE) that includes sections on the myths of Atalanta.

Secondary Sources


Kapach, Avi. “Atalanta.” Mythopedia, December 05, 2022.

Kapach, Avi. “Atalanta.” Mythopedia, 5 Dec. 2022. Accessed on 18 Mar. 2023.

Kapach, A. (2022, December 5). Atalanta. Mythopedia.


  • Avi Kapach

    Avi Kapach is a writer, scholar, and educator who received his PhD in Classics from Brown University

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